Movies Detail of The Road Killers (1994)

✓ Title : The Road Killers
✓ Release Date : May 7th, 1994
✓ Genres : Action, Thriller, Crime, Drama
✓ Runtime : 89 minutes
✓ Director : Deran Sarafian
✓ Writer : Tedi Sarafian
✓ Companies : Miramax, Dimension Films, John Flock Productions
✓ Country : United States of America
✓ Cast : Christopher Lambert, Josh Brolin, Alexondra Lee, Joseph Gordon-Levitt, Craig Sheffer, David Arquette, Michael Greene, John Pyper-Ferguson, Michelle Forbes, Christopher McDonald

Synopsis of The Road Killers (1994)

After a young boy is almost runover by a maniac on a highway, a re-encounter and confrontation by the boy's father with the driver sets off conflicts with a carful of maniacs.




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The Road Killers Movie Collection - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.

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The Road Killers Full Movie Cinema - Urban fiction, also known as street lit, is a literary genre set, as the name implies, in a city landscape; however, the genre is as much defined by the race and culture of its characters as the urban setting. The tone for urban fiction is usually dark, focusing on the underside. Profanity (all of George Carlins seven dirty words and urban variations thereof), sex and violence are usually explicit, with the writer not shying away from or watering-down the material. In this respect, urban fiction shares some common threads with dystopian or survivalist fiction. In the second wave of urban fiction, some variations of this model have been seen.

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